Self Cancellation – Removal Service / Transition Hide and Seek
Sarah Washington
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
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Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?
A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
A kind of an informal overview of INSTAL.
Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.