Ode to 1 & under
Constantina Zavitsanos Park McArthur
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
An excavation of the 1805 Lock Hospital in Glasgow. Its official function was to support ‘unfortunate females with venereal disease’, but really what happened was that women and girls were marched in, experimented on, and often never released.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.