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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A publication called Video Times and a tape sat next to each other on table
26 February 2010

Video Times

Kevin Atherton

Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.

Kill Your Timid Notion 10
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
A shot of a boldly decorated bedroom, red walls, fairy lights, myriad flowers
28 February 2010
DCA

Film Programme 6: Production

Ken Jacobs Various Artists

The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.

Kill Your Timid Notion 10
Richard Youngs standing with a microphone at INSTAL 04
16 October 2004
The Arches

Richard Youngs

Richard Youngs

One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest

INSTAL 04
27 March 2022
CCA Annex (Online)

Part Two | Parte II

Turmalina Chama Denise Ferreira da Silva Camilla Rocha Campos

A Breath to Follow | Um sopro a se seguir
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
Stephan Mathieu backstage at Instal 02
1 December 2002
The Arches

Stephan Mathieu

Stephan Mathieu

Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.

INSTAL 02
Ascension: Paul Hession & Stefan Jaworzyn backstage at MLFC
12 May 2007
The Sage Gateshead

Ascension

Paul Hession Stefan Jaworzyn

A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.

Music Lover’s Field Companion 07
Bhob Rainey and Greg Kelly playing saxophone and trumpet
22 May 2005
The Sage Gateshead

Nmperign

Nmperign

Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.

Music Lover’s Field Companion 05
Hands Clasp in detail from Bread and Wine, a visual novel about Chip Delany
18 November 2017
Tramway

Being for Others

Samuel R. Delany

Chip’s written some of the greatest of all Sci-Fi and Fantasy—page turning character driven diamond-hard novels and short stories: each a lens that refracts our real-life struggles and desires.

Episode 9: Other Worlds Already Exist
arika_ep7_IMG_5802
18 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

A performed, open, public conversation about how we might think politics from the position of intuition, in which Denise and Valentina use un-reasonable tools to map out a hybrid poetical/ ethical reading of their own situations.

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