Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.
Imagine entering a library where readers can borrow human beings serving as open books. Then select a book stack that specialises in sex work.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
