Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
