Salon and Q&A
Kjell Björgeengen William Bennett Zoe Irvine
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
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A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
Writing that shows us that, even in struggle, there is light to be let in.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?