Ken Jacobs & Eric La Casa
Eric La Casa Ken Jacobs
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.
All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.