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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (719)

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Ayreen Anastas seated at a kitchen table in the evening
21 January 2012
CCA

Ayreen Anastas & Rene Gabri

Ayreen Anastas Rene Gabri

An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”

Episode 1: A Film is a Statement
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
Arika_Instal08_BryonyMcIntyre_IMG_390076
16 February 2008
The Arches

Translation

Jarrod Fowler

Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.

INSTAL 08
A man in front of a multi layered projection, a sign saying 'the end'
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Andrew Lampert

Andrew Lampert

Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.

Kill Your Timid Notion on Tour
A person in a flesh coloured catsuit, bends into a crab shape
24 May 2013
Tramway

(M)IMOSA | Twenty Looks or Paris is Burning at The Judson Church (M)

Cecilia Bengolea François Chaignaud Marlene Monteiro Freitas Trajal Harrell

What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?

Episode 5: Hidden in Plain Sight
a Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair and an undercut, wearing a “talk to plants, not cops” navy and turquoise crop top, tiny black denim shorts and a hot pink KN95 mask, takes a mirror selfie with a phone with glitter and many kinda of brightly colored animals and plants on it.
21 June 2023

Altar: Odes to the Lost/ never lost Introduction

Leah Lakshmi Piepzna-Samarasinha

Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.

I wanna be with you everywhere 2023
Brown Background with Bold Block text reads Instal 06 Brave New Music
13 – 15 October 2006
The Arches

INSTAL 06

The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.

text reading Decriminalised Futures on a colourful banner on a blue and purple background
31 August 2019 – 1 April 2023

Decriminalised Futures

Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.

An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
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