
See Noise Hear Light Friday
Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.