16 May 2010
FACT
Craig Dworkin
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
UNINSTAL
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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3 May 2012
Whitney Museum of American Art
The Indivisible or Inadmissable Committee
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
A survey is a process of listening
6 May 2012
Whitney Museum of American Art
What is the Sound of Freedom?
Ultra-red
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
A survey is a process of listening
2 May 2012
Whitney Museum of American Art
Wallingford Food Bank
Christopher DeLaurenti
A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.
A survey is a process of listening
13 May 2007
The Sage Gateshead
Octante
Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
Music Lover’s Field Companion 07
20 March 2009
Glasgow University Chapel
dazwischen
Eva-Maria Houben
Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.
INSTAL 09
17 August 2020
Online
System Errors: Abolitionist Technologies and Aesthetics
American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
Revolution is not a one-time event
22 November 2019
Tramway
Poetry, Mathematics, Debris
Fred Moten Nathaniel Mackey Fernando Zalamea
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
Episode 10:
A Means Without End
13 May 2007
The Sage Gateshead
Talk Hosted by Byron Coley
Byron Coley Daniel Carter Sabir Mateen
Free-jazz chat with Sabir Mateen, Daniel Cater, Andrew Barker – hosted by Byron Coley.
Music Lover’s Field Companion 07
27 February 2010
DCA
Noir & Perfect Film
Ken Jacobs Mirko Martin
A double bill of A (imageless) film of nothing but a sound recording and its transcription and a found film of news interviews about Malcolm X’s assasination, where the filmmaker decided to add nothing to it, except our attention.
Kill Your Timid Notion 10
21 March 2009
The Arches
Cello Powder
Nikos Veliotis
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
INSTAL 09
12 October 2008
DCA
Film Programme: The Last Clean Shirt
Alfred Leslie
A parody of a (Manhattan) road movie and meditation on bifurcation, in paths traveled between the seen and the heard; a road trip played over and over from different perspectives.
Kill Your Timid Notion 08