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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A performer with a small parrot on his finger, props on the floor
18 April 2015
Tramway

No Ready Made Men – Open Rehearsal

Ueinzz

Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.

Episode 7: We Can’t Live Without Our Lives
A black screen with the word, "words" written in large letters
23 February 2010
DCA

So Is This

Michael Snow

Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.

Kill Your Timid Notion 10
A 16mm film in has detailed instructions printed on its lid
22 February 2010
DCA

Urban Peasants

Ken Jacobs

Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.

Kill Your Timid Notion 10
A man holding a flying v guitar above his head
14 October 2005
The Arches

Black Boned Angel

Black Boned Angel

Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.

INSTAL 05
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
Three women pose in front of a home made banner "Get the Body of a God"
28 September 2014
Tramway

Dance Workshop

Glasgow Open Dance School Miss Prissy

A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!

Episode 6: Make a Way Out of No Way
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Arika_Episode2_RayBrassier_ThomasMetzinger_TheViewFromNowherePart1_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 1

Ray Brassier Thomas Metzinger

Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.

Episode 2: A Special Form of Darkness
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
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