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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Tables in Kinning Park Complex community centre, a painting on the wall
16 May 2010
Kinning Park Complex

In The Shadow of Shadow – Listening Session

The Strickland Distribution Ultra-red

Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk

UNINSTAL
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
12 October 2005
The Universal

Stalled at Universal – FRU

Fordell Research Unit

Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.

INSTAL 05
A lined journal from February 2019 with entries from each day with a circular diagram to the right
21 June 2023

Collective writing

Yo-Yo Lin 林友友

Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.

I wanna be with you everywhere 2023
The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
A room full of plinths with candles on top
13 April 2007
DCA

Joe Colley

Joe Colley

Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.

Kill Your Timid Notion 07
A person in a flesh coloured catsuit, bends into a crab shape
24 May 2013
Tramway

(M)IMOSA | Twenty Looks or Paris is Burning at The Judson Church (M)

Cecilia Bengolea François Chaignaud Marlene Monteiro Freitas Trajal Harrell

What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?

Episode 5: Hidden in Plain Sight
A drawing of skull has the numbers 21 - 87 in a serif font written over the eyes
12 October 2008
DCA

Film Programme: Sonic Landscapes

Various Artists

Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?

Kill Your Timid Notion 08
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
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