Salon and Q&A
Kjell Björgeengen William Bennett Zoe Irvine
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
A silent performance of (musical) reverberation.
Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.