Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Dub is strange. A conversation with Edward George and Dhanveer Brar.
In this interactive workshop, Dean Spade, author of Mutual Aid, will share key principles, explore common challenges in mutual aid work, and offer tools for working through them.
A performance, a radio show, an installation, an endurance test. A game of chance. Constantly broadcasting live, actor Tam Dean Burn will leave Tramway at the start of INSTAL and walk away from it, in an ever increasing spiral, for a day. Then he’ll walk back.
Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
