
Prisoner Solidarity in Practice
Prisoner Solidarity Network Glasgow Prisoner Solidarity
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
A recording session for BBC Radio Scotland under the M74 ‘Ski Jump’ extension ramp, a secion of motorway that doesn’t go anywhere, one of several such structures that populate the motorway system in the centre of Glasgow.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Two figureheads of the minimalist electronica pulse, Ikeda and Nicolai have been responsible for some of the most innovative and ground-breaking music of the last decade, redefining experimental electronica.
“Introduction to Protactile Theory” is a legendary seminar that facilitator John Lee Clark has designed to bring diverse communities into conversation with the Protactile movement.
These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).
The role of feelings in public life, (political) depression and creative survival.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?