Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
A silent performance of (musical) reverberation.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
