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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Text super-imposed on two people
21 October 2016
Tramway

Queer Liberation: No Prisons, No Borders

Dean Spade Hope Dector Tourmaline

A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.

Episode 8: Refuse Powers’ Grasp
Steve McCaffery sits at a round table and reads into a microphone
21 March 2009
The Arches

Carnival

Steve McCaffery

Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.

INSTAL 09
Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
An old photograph of a group looking direct to camera
26 September 2014
Tramway

Waywardness

Saidiya Hartman

A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.

Episode 6: Make a Way Out of No Way
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
Hands holding a deck of cards.
15 November 2024
Tramway Live Stream

More Than Perfect

Denise Ferreira da Silva Arissana Pataxó Leanne Betasamosake Simpson Geni Núñez Ailton Krenak (by video)

A conversation between influential figures thinking through Blackness and Indigeneity, asking: what if we took seriously the possibility that this world, as we know it, may be coming to an end? We dread the loss of this world, but have we begun to imagine the one to come?

Episode 11: To End the World As We Know It
A mesmerising shot of light reflecting, golden, off many hundreds of thin wires
21 November 2019
Tramway

Corpus Infinitum

Denise Ferreira da Silva

Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?

Episode 10: A Means Without End
A colorful pencil drawing of a figure, one tattoed arm is clenched in a fist
10 – 14 April 2019
Performance Space New York

I wanna be with you everywhere

I wanna be with you everywhere was a gathering of, by, and for disabled artists and writers and anyone who wanted to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy.

A publication called Video Times and a tape sat next to each other on table
26 February 2010

Video Times

Kevin Atherton

Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.

Kill Your Timid Notion 10
A woman looks towards the camera from the a low angle, there are trees behind
28 September 2014
Tramway

Dreams are Colder than Death

Arthur Jafa

A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.

Episode 6: Make a Way Out of No Way
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
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