Resistance Renewed: Art / S*x / Work / Activism
Chaoying Rao
A whistle stop tour of visual and material culture that has anchored the sex workers rights movement through the decades until today.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A whistle stop tour of visual and material culture that has anchored the sex workers rights movement through the decades until today.
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Save the dates for Episode 12.
Wednesday 11 – Sunday 15 November 2026
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.
Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Ken Jacobs chats to Edwin Carels: Edwin is a curator based in Ghent, responsible for some fantastic programmes of experimental film and art at the Rotterdam Film festival (amongst others).
Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.