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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (719)

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Hisato Higuchi backstage at MLFC 07
13 May 2007
The Sage Gateshead

Hisato Higuchi

Hisato Higuchi

Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.

Music Lover’s Field Companion 07
A black and while still of a photograph of a man melting on a stove
11 October 2008
DCA

Film Programme: Sets

Christof Migone Various Artists Hollis Frampton

A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.

Kill Your Timid Notion 08
a figure bathed in red writhes as they perform with a red light in their mouth
24 May 2013
Stereo

Hidden in Plain Sight: Club

boychild DJ Sprinkles Vjuan Allure Pony Zion

The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.

Episode 5: Hidden in Plain Sight
Ryoji Ikeda operating a laptop surrounded by amplifiers
23 November 2003
The Arches

CCI Sound System

Ryoji Ikeda

CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps

INSTAL 03
An animated suduko is on the screen as players perform to it
15 February 2008
The Arches

Self Cancellation – Palimpsest #1

Benedict Drew Chris Weaver John Butcher Mark Bain Michael Colligan Rhodri Davies Robin Hayward Sarah Washington John Bain Lee Patterson

Performance of a Sudoko based graphic score giving rise to a process of self cancellation.

INSTAL 08
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Keiji Haino playing a saz onstage in CCA Glasgow 05
23 May 2005
CCA

CCA Glasgow 05

Jandek Keiji Haino My Cat Is An Alien Taurpis Tula

Performances at CCA Glasgow by Keiji Haino, My Cat Is An Alien, Taurpis Tula, Jandek with Richard Youngs and Alex Neilson.

A black and while still of a photograph of a man melting on a stove
29 November 2008
BFI Southbank CCA Arnolfini

Out of Sight Out of Synch

Various Artists Hollis Frampton John Smith

Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.

Kill Your Timid Notion on Tour
Nisha on stage with glowing screen of a yellow circle with a blue figure drawing
22 November 2019
Tramway

States of the Body Produced by Love

Nisha Ramayya

In Ramayya’s visionary poetry, the body assumes as many forms as love produces states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self.

Episode 10: A Means Without End
18 June 2026

Collective Art Workshop

Scotland for Decrim

Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.

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