Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.
How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.
One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Imagine entering a library where readers can borrow human beings serving as open books. Then select a book stack that specialises in sex work.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
