Wadada Leo Smith & John Tilbury
John Tilbury Wadada Leo Smith
How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
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How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
Take a break and/ or hang in an Open Meet Up in IRL and URL
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.
Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Profound mathematical ideas for romantics, to help us linger in the difference we share.
Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.
4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.