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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Terre Thaemlitz lies on the ground, next to a motorcycle, posing provocatively
25 May 2013
Tramway

Soulnessless – Cantos I-IV

Terre Thaemlitz

An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…

Episode 5: Hidden in Plain Sight
The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
Eli Clare standing on a stage, arms outstretched
14 April 2019
Performance Space New York

Eli Clare

Eli Clare

Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.

I wanna be with you everywhere
Philip Jeck backstage working with old turntables
18 October 2003
DCA

Philip Jeck

Philip Jeck

Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.

Kill Your Timid Notion 03
Lutz Becker reads a text, seated cross legged on a platform, against a blank wal
20 January 2012
CCA

Kino Beleske (Film Notes)

Lutz Becker

Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.

Episode 1: A Film is a Statement
Close up of a radio with a glowing fluorescent tube on top
12 April 2007
DCA

Chord of the Fifth Force

Barry Weisblat

A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.

Kill Your Timid Notion 07
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
Ikuro Takahashi & Yoko Muronoi standing by a wall
12 May 2007
The Sage Gateshead

Anoyonodekigoto

Ikuro Takahashi Yoko Muronoi

A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.

Music Lover’s Field Companion 07
Projection of an orange rectangle along with shards of light
11 October 2008
DCA

Sound Cuts

Guy Sherwin

Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.

Kill Your Timid Notion 08
Heads of musicians silhouetted against a film projected on a wall
11 December 2004
DCA

Tower Recordings

Tower Recordings

The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.

Kill Your Timid Notion 04
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
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