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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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StevenAnderson_Part1_AW_5
13 November 2010
Tramway

Steven Anderson

Steven Anderson

Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)

INSTAL 10
10 October 2008
DCA

Salon and Q&A

Kjell Björgeengen William Bennett Zoe Irvine

A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.

Kill Your Timid Notion 08
A table with various cans and jars of food
2 May 2012
Whitney Museum of American Art

Wallingford Food Bank

Christopher DeLaurenti

A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.

A survey is a process of listening
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

A woman in a white dress jogs across a frame screened on a wall
27 February 2010
DCA

Film Programme 2: Repetitive Actions

Emma Hart Guy Sherwin Morgan Fisher Various Artists

Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.

Kill Your Timid Notion 10
Peachy orange background with black text that reads Happy Birthday Marsha!
24 August 2020
Online

Happy Birthday, Marsha!

adrienne maree brown Black Obsidian Sound System Lola Olufemi Tourmaline

On the birthday of Marsha P. Johnson, this event brings together several elements that celebrate the radical care and kinship characteristic of the Trans revolutionary.

Revolution is not a one-time event
A spiral form made of shoes and boots is laid out on a purple and red lit floor
13 November 2010
Tramway

Overheard (Installation)

Resonance Radio Orchestra

The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.

INSTAL 10
Whitehouse shirtless on stage in the arches waving their arms
23 November 2003
The Arches

Whitehouse

Whitehouse

Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”

INSTAL 03
A woman rides a motorcycle against a sunset lit sky
21 January 2012
CCA

Nina Power discussing November

Hito Steyerl Nina Power

Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).

Episode 1: A Film is a Statement
Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
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