Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”
One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.
Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.
Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.
The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
