Music for a Long Time
Rolf Julius
Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.
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Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
A parody of a (Manhattan) road movie and meditation on bifurcation, in paths traveled between the seen and the heard; a road trip played over and over from different perspectives.
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
An original and beautifully simple performed installation forging a direct link between sound and image.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?