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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A microphone wrapped in white paper on a mic stand on stage
20 May 2005
The Sage Gateshead

MICRO 1

Takehisa Kosugi

MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)

Music Lover’s Field Companion 05
Michael Pisaro smiles into the camera against a light background
21 March 2009
The Arches

An Unrhymed Chord

Aileen Campbell Eva-Maria Houben Jean-Philippe Gross Jerome Noetinger Klaus Filip Michael Pisaro Neil Davidson Nikos Veliotis Radu Malfatti Seymour Wright Taku Unami Toshimaru Nakamura

From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.

INSTAL 09
Image with the word: Rhomboi
9 December 2001
The Arches

Rhomboi

Rhomboi

Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.

INSTAL 01
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
A blurry crowd mill on dance floor in the centre of a theatre space
13 November 2010
Tramway

Speculative Solution

Florian Hecker

A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.

INSTAL 10
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
Film still from Oriana. The camera points from above onto the face a person with dark long hair. They look towards the sunlight with their eyes close; a green leaf covers the left side of their face. In the background is water and gravel and stone covered river bed with green foliage.
14 November 2024
Tramway

Oriana

Beatriz Santiago Muñoz

A film as a translation of Monique Wittig’s landmark feminist novel Les Guérillères, in which a plural protagonist of militant feminists inhabit a fantastical, enigmatic and hallucinatory miasmatic space-time of post Hurricane Maria Puerto Rico.

Episode 11: To End the World As We Know It
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
Shards of light on a black background from Sound Cuts projection
12 October 2008
DCA

Optical Sound Film Talk

Guy Sherwin

Guy Sherwin gives a kind of annotated, chat through his optical sound films

Kill Your Timid Notion 08
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
2 October 2025

Workshop on Mutual Aid with Dean Spade

Dean Spade

In this interactive workshop, Dean Spade, author of Mutual Aid, will share key principles, explore common challenges in mutual aid work, and offer tools for working through them.

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