Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Captures the creak and rustle of the forest, with an exhilarating tension let loose in unconfined maniacal and bare-knuckle group thinking.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Writing that shows us that, even in struggle, there is light to be let in.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.
A workshop inviting participants to enact a series of scores that explore witnessing, testimony, grief and mourning, facilitated by Mezna and Sadia, and accompanied by Sakina Ali.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
