
Eclipse of the Moon from the Backyard
Koji Asano Paragon Ensemble
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
A conversation between Philip and Moten: how do we read NourbeSe’s anti-narrative poetic lament in Glasgow today, given the city’s role in the history of slavery?
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest