Free-form hook up
Ben Knight Hannah Ellul Neil Davidson
Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.