Epileptic Seizure Comparison (1976)
Paul Sharits
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
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Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.
A double bill of A (imageless) film of nothing but a sound recording and its transcription and a found film of news interviews about Malcolm X’s assasination, where the filmmaker decided to add nothing to it, except our attention.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.
Guy Sherwin gives a kind of annotated, chat through his optical sound films