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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
an overflowing bowl of water in a sink displays beautiful interference waves
11 October 2008
DCA

Film Programme: Events

Benedict Drew Takehisa Kosugi Various Artists

Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.

Kill Your Timid Notion 08
Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
A projector running in a dark room
26 February 2010

Sea Oak

Emily Wardill

A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.

Kill Your Timid Notion 10
Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Black and white photo of Argyll taken from event poster
4 September 2007
Various

Half-Life

Angharad Davies Lee Patterson Luke Fowler Rhodri Davies Toshiya Tsunoda

NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.

A man looks through camcorder viewfinder in the reflection in a mirror
21 February 2010
DCA

Hotel Diaries 1-8

John Smith

These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).

Kill Your Timid Notion 10
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
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