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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A close up shot of a fender amplifier
14 October 2006
The Arches

See Noise Hear Light Saturday

Jazkamer Keiji Haino Kiyoharu Kuwayama Lee Patterson Matt Hulse Ravi Padmanabha Steve Baczkowski The Bohman Brothers Tony Conrad

Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
18 – 21 November 2024
ATLAS Arts

Karrabing at ATLAS Arts

Karrabing Film Collective

As part of Karrabing’s visit to Scotland, the collective will be hosted for three days in the Isle of Skye by The School of Plural Futures.

Episode 11: To End the World As We Know It
A 40ish mixed race Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair, lying on a couch looking at the viewer horizontally. They have rose gold aviator frames, thick eyebrows, red lipstick and sand colored skin, and are looking at the viewer with a kind of tired but hopefully crip wonder. They wear a blue denim vest with a pin that says Neurodivergent Universe above a pink and blue image of a ringed planet, and a black tank top with yellow lettering that read Talk To Plants, Not Cops is barely visible. They have a tattoo of the words "We begin by listening" in magenta cursive script on their left arm.
21 June 2023

Altar: Odes to the Lost/ never lost with ASL Centered Hang

Leah Lakshmi Piepzna-Samarasinha

Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.

 

I wanna be with you everywhere 2023
A jagged bluff of rocks juts out into a grey and moody sea as waves lap at shore
20 November 2019
Tramway

4 Waters: Deep Implicancy

Arjuna Neuman Denise Ferreira da Silva

What would a world and an ethics look like free from the destructive consequences of the Western mind?

Episode 10: A Means Without End
a man in green clothes is wrapped to a drum kit by red tape
18 October 2003
DCA

Sunburned Hand of the Man

Sunburned Hand of the Man

First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.

Kill Your Timid Notion 03
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

12 October 2005
The Universal

Stalled at Universal – FRU

Fordell Research Unit

Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.

INSTAL 05
27 March 2022
CCA Annex (Online)

Part Two | Parte II

Turmalina Chama Denise Ferreira da Silva Camilla Rocha Campos

A Breath to Follow | Um sopro a se seguir
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
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