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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (702)

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Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Masayoshi Urabe portrait in black and white
17 October 2004
The Arches

Masayoshi Urabe

Masayoshi Urabe

Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.

INSTAL 04
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

: Leanne Betasamosake Simpson has long brown hair, wearing a denim shirt with a camouflage jacket on top. Behind them is are tall reed like plants and red tree branches to the foreground.
13 November 2024
Glasgow School of Art

I am not a nation-state

Leanne Betasamosake Simpson Nat Raha

One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.

Episode 11: To End the World As We Know It
A film still image is distorted, turning the image of a couple into liquid
11 December 2004
DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
A man holding a guitar with a strip of film in the strings
19 February 2006
DCA

Emma Hart & Benedict Drew

Benedict Drew Emma Hart

An original and beautifully simple performed installation forging a direct link between sound and image.

Kill Your Timid Notion 06
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