
Work Care Class 2 – Care & Therapy
Howard Slater
The second in a series of workshops for workers and non-workers who care. What does the sharing of vulnerability entail? Can such a sharing inform progressive social relations?
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The second in a series of workshops for workers and non-workers who care. What does the sharing of vulnerability entail? Can such a sharing inform progressive social relations?
IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
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Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.
The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.