 
No Ready Made Men – Performance
Ueinzz
A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.
 
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
 
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
 
Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.
 
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
 
Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video
 
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
 
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
 
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
 
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
 
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
 
Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.