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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
A dome of a white observatory in front of a dark blue sky
29 November 2008
BFI Southbank CCA

Location Location Location

Various Artists Guy Sherwin

Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.

Kill Your Timid Notion on Tour
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
arika_ep7_IMG_4240
16 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

Episode 7: We Can’t Live Without Our Lives
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
Portrait of Geni Núñez smiling wearing a red robe with a red orange wall behind.
14 November 2024
Tramway Live Stream

Against a monoculture of thought

Geni Núñez Amilcar Packer

Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.

Episode 11: To End the World As We Know It
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
Phil Minton conducts a large choir
22 March 2009
The Arches

Century FC

Phil Minton

A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.

INSTAL 09
Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
A survey is a process of listening
2 – 6 May 2012
Whitney Museum of American Art

A survey is a process of listening

A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).

Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
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