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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Elizabeth A. Povinelli and Mijke van der Drift sit at black table in a black box theatre. There is audience to the right of the image and behind Mijke & Elizabeth are two screens for live captioning.
15 November 2024
Tramway Live Stream

Analytics of Existence

Elizabeth A. Povinelli Mijke van der Drift

Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.

Episode 11: To End the World As We Know It
Arika_Episode2_RayBrassier_AlexiKukuljevich_TheViewFromNowherePart2_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 2

Alexi Kukuljevic Mark Fisher Ray Brassier

Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?

Episode 2: A Special Form of Darkness
Carsten Nicolai operating some equipment near a projection
17 October 2003
DCA

Alva.Noto

Carsten Nicolai alva.noto

60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves

Kill Your Timid Notion 03
Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
Ann Cvetkovich sitting at a table speaking into a microphone
26 May 2013
Tramway

Public Feelings

Ann Cvetkovich

The role of feelings in public life, (political) depression and creative survival.

Episode 5: Hidden in Plain Sight
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
Michael Pisaro smiles into the camera against a light background
21 March 2009
The Arches

An Unrhymed Chord

Aileen Campbell Eva-Maria Houben Jean-Philippe Gross Jerome Noetinger Klaus Filip Michael Pisaro Neil Davidson Nikos Veliotis Radu Malfatti Seymour Wright Taku Unami Toshimaru Nakamura

From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.

INSTAL 09
A gloomy pond with dark rushes reflect a grey light. A pink lens flare
24 November 2019
Tramway

aspects caught in the headspace we’re in

James Goodwin

Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.

Episode 10: A Means Without End
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
Hermann Nitsch plays organ flanked by two assistants
20 March 2009
Glasgow University Chapel

Hermann Nitsch

Hermann Nitsch

A specially commissioned performance for organ. “The course of the stars were to be put to sound.”

INSTAL 09
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
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