Eject & No Disc
Matthieu Saladin
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?