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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Video Interview, Nov 2024

To Give Up This World, To Have Many Others – In Conversation with Ailton Krenak

Ailton Krenak (by video) Denise Ferreira da Silva Amilcar Packer

A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.

Episode 11: To End the World As We Know It
Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

TV monitors in a dark room showing white screens
20 September – 12 October 2008
DCA

Figment Light – Kjell Björgeengen

Kjell Björgeengen

The reknowned artist Kjell Bjørgeengen works collaboratively with innovative musicians to make complex installations. Channels of flickering light are produced in response to and from sound.

Kill Your Timid Notion 08
Phil Minton conducts a large choir
22 March 2009
The Arches

Century FC

Phil Minton

A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.

INSTAL 09
a man in green clothes is wrapped to a drum kit by red tape
18 October 2003
DCA

Sunburned Hand of the Man

Sunburned Hand of the Man

First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.

Kill Your Timid Notion 03
Pony Zion in a red shirt and cap tenses their hands and arms in a gesture
27 September 2014
Tramway

You’ve Never Seen Pain Expressed Like This

Danielle Goldman Kia Labeija Miss Prissy Pony Zion

A freestyle performed conversation for bodies and voices – with the Queen of Krump, the master of Vogue Femme Dramatics and the rising star of Vogue Women’s Performance.

Episode 6: Make a Way Out of No Way
A survey is a process of listening
2 – 6 May 2012
Whitney Museum of American Art

A survey is a process of listening

A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).

Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
Miss Prissy dances fiercely during a solo dance
28 September 2014
Tramway

Mutual Instruments

Fred Moten Miss Prissy

Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?

Episode 6: Make a Way Out of No Way
twelve rectangular images projected on a long screen
10 October 2008
DCA

After Leonardo

Keith Rowe Malcolm Le Grice

A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.

Kill Your Timid Notion 08
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
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