Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
