As Jane Edwards and Geoffrey Rush
Aileen Campbell
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
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A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.
Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.