 
Angharad Davies, Tisha Mukarji, Andrea Neuman
Andrea Neuman Angharad Davies Tisha Mukarji
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
 
John Mullarkey sets in a wider context our understanding of Alain Badiou and Francois Laruelle, two of the most radical philosophers in Europe today.
 
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
 
A space to reflect on our own experiences with the police and explore more community and care-based ways of dealing with violence and difficulties in our lives.
 
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
 
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
 
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
 
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
 
Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.
 
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
 
Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.
 
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.