Literary Reflections of Ballroom
Various Artists
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
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A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?
Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.
Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.