Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
An improvisation that may or may not involve (typical) improvisation.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
Electronic music, time, thought, the word, and consecutive matters
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
A film as a translation of Monique Wittig’s landmark feminist novel Les Guérillères, in which a plural protagonist of militant feminists inhabit a fantastical, enigmatic and hallucinatory miasmatic space-time of post Hurricane Maria Puerto Rico.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
