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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
An audience seated and wearing eye masks
12 October 2008
DCA

Live Immersive Performance

A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.

Kill Your Timid Notion 08
Instal 08 Poster Graphic
14 – 17 February 2008
The Arches

INSTAL 08

A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.

A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
Four musicians play some sitting on the floor, a recorder player stands
22 March 2009
The Arches

Free-form hook up

Ben Knight Hannah Ellul Neil Davidson

Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.

INSTAL 09
Turquoise and Brown text reads Kill Your Timid Notion
17 – 19 October 2003
DCA

Kill Your Timid Notion 03

Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.

15 November 2024
Tramway

When my heart looks for you, where will it find you?

Sadia Shirazi Mezna Qato Sakina Ali

A workshop inviting participants to enact a series of scores that explore witnessing, testimony, grief and mourning, facilitated by Mezna and Sadia, and accompanied by Sakina Ali.

Episode 11: To End the World As We Know It
M NourbeSe Philip is congratulated by Amiri Baraka and Sonia Sanchez
21 April 2013
Tramway

Zong!

M. NourbeSe Philip

Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?

Episode 4: Freedom is a Constant Struggle
Vanessa Place listening while Mark Sanders talks
13 November 2010
Tramway

Consequences and complicities of conceptualism

Mark Sanders Vanessa Place

Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”

INSTAL 10
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
A circle of chairs in a room
24 February 2010

Investigation – Loïc Blairon & Marc Baron

Loïc Blairon Marc Baron

Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee

Kill Your Timid Notion 10
A table with various cans and jars of food
2 May 2012
Whitney Museum of American Art

Wallingford Food Bank

Christopher DeLaurenti

A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.

A survey is a process of listening
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