Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
Quartet improvisation by Klaus Filip – laptop, Radu Malfatti – trombone, Sean Meehan – snare & cymbals, Taku Unami – rice and dish.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
