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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A circle of chairs in a room
24 February 2010

Investigation – Loïc Blairon & Marc Baron

Loïc Blairon Marc Baron

Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee

Kill Your Timid Notion 10
Phil Minton conducts a large choir at DCA
9 October 2008
DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
13 October 2006
The Arches

Infest – Wounded Knee

Wounded Knee

Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.

INSTAL 06
Tamio Shiraishi approaches an audience among grasses and concrete forms
12 July 2007
A concrete walkway ending in mid air

Shadowed Spaces Newcastle

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.

Shadowed Spaces
A view looking down a stone spiral staircase. A pair of trainers is on a step.
14 February 2008
Glasgow Uni Music Dept

Personal Space

Aileen Campbell Neil Davidson

Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.

INSTAL 08
An image of someone's legs and a platform in silhouette
26 February 2010
DCA

Smith/Stewart

Smith/Stewart

Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.

Kill Your Timid Notion 10
Arika_Instal08_BryonyMcIntyre_TM - Incapacitants 467
15 February 2008
Stereo

Incapacitants

Incapacitants Junko Kazuo Imai

Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.

INSTAL 08
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Kjell Björgeengen, Keith Rowe & Philipp Wachsmann with equipment and screens
29 November – 7 December 2008
ICA Spike Island CCA

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann

Keith Rowe Kjell Björgeengen Philipp Wachsmann

An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours

Kill Your Timid Notion on Tour
Freedom Is a Constant Struggle Poster Graphic
17 – 21 April 2013
Tramway

Episode 4: Freedom is a Constant Struggle

Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?

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