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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (702)

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Junko singing into a microphone against a dark background
25 February 2012
Tramway

Junko

Junko

Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.

Episode 2: A Special Form of Darkness
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
A chorus in white boiler suits stand behind a concrete frieze of Russian workers
22 January 2012
CCA

The Songspiels of Chto Delat?

Chto Delat

The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.

Episode 1: A Film is a Statement
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Sondra Perry stands on ladder in front of screen with multiple layered images
23 October 2016
Tramway

Lineage for a Multiple-Monitor Work-station

Sondra Perry

A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.

Episode 8: Refuse Powers’ Grasp
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
A rectangle of red light, one of green light and a beam of white light
13 April 2007
DCA

Wave Formations

William Raban

Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.

Kill Your Timid Notion 07
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
Michiyo Yagi is bent over a large koto stringed instrument in a pink light
15 February 2008
Stereo

Michiyo Yagi

Michiyo Yagi

Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.

INSTAL 08
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