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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
Richard Youngs standing with a microphone at INSTAL 04
16 October 2004
The Arches

Richard Youngs

Richard Youngs

One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest

INSTAL 04
A film still of a set of a living room filled with pictures and a couple
18 October 2003
DCA

Corpus Callosum

Michael Snow

Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.

Kill Your Timid Notion 03
A mesmerising shot of light reflecting, golden, off many hundreds of thin wires
21 November 2019
Tramway

Corpus Infinitum

Denise Ferreira da Silva

Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?

Episode 10: A Means Without End
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
A large white circular form hovers in the mid distance at the end of a long room
11 October 2008
DCA

L’Anticoncept

Gil Wolman

60 minutes of hard ass minimal film, projected onto a weather balloon and accompanied by the inspired poetic rant of a visionary Frenchman.

Kill Your Timid Notion 08
Tables in Kinning Park Complex community centre, a painting on the wall
16 May 2010
Kinning Park Complex

In The Shadow of Shadow – Listening Session

The Strickland Distribution Ultra-red

Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk

UNINSTAL
Gary Smith playing a guitar at MLFC 07
11 May 2007
The Sage Gateshead

Gary Smith

Gary Smith

Guitar solo where inscrutable, minute electric sounds are excavated by palms that smother and strangle, that wring sound from the fretboard, from behind the bridge.

Music Lover’s Field Companion 07
ARIKA_NO_TOTAL_2015_BM_IMG_0040
28 May 2015
Artists Space Books & Talks

No Total

Amalle Dublon Arias Abbruzzi Davis Constantina Zavitsanos Emma Hedditch Jordan Lord Morgan Bassichis

Three days of discussions, performances, actions, dancing and food – continuing No Total’s ongoing contemplation of ways of being together and the ways Arika have been entangled in those, ever since Episode 4.

An audience seated and wearing eye masks
12 October 2008
DCA

Live Immersive Performance

A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.

Kill Your Timid Notion 08
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

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