
Filament: Sachiko M & Otomo Yoshihide
Otomo Yoshihide Sachiko M
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
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Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.
Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
A series of reality dramas happening over the course of the weekend.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.